Vienna. Wien. Wiener. Ha ha.
A pulse in the dead heat. Espresso with cream.
Who are you reading? (Hustvedt and Foer.)
Gothic churches, pointed spires, Flak towers that fired 8,000 rounds a minute at Allied forces, including my paratrooper grandfather. Did you know, he would say, that I went up in an airplane twenty-one more times than I came down in one?
Wind. Lots of it.
The fading gloom in Fabian’s massive modern office-turned-flat and his cologne, clearly he has spruced up. He talks of schnapps, good for a stomachache.
A dim, colorfully lit Hungarian café, a nude female mannequin wearing the head of an unknown antlered mammal with eyes on the wrong side of its head — “probably some art piece,” says Fabian, and shrugs.
Onion soup and tea and a seconding of the schnapps notion from the owner of the restaurant (did I ask?), a thin, dramatic woman with spiked bleached tips and a long brown skirt. Fabian drinks three beers and uses Facebook on his phone.
Café Kafka (real), Café Jenseits (smoky 1920’s), Café Sperl (just old), Café Europa (three levels, each one murkier than the last — here Fabian orders a Frankfurter, tells me to “punk up” and drink more Fernet Branca), Café futurgarten (predictably trendy, as a name without capitals will always indicate), Café Phil (for sophisticated hipsters), Café Espresso (a dim bar packed with cool chainsmoking millennials: all seats taken, so Fabian decides to lean up against the doorjamb. I make eyes with a fella in the window. We watch each other, then he watches me walk away.)
Fabian, now drunk, launches upstairs into the swanky wine-and-cheese event of an elite facial reconstruction academy. It is quite small, private, a suit-and-tie affair. Fabian bursts in, raincoat dripping, and shouts (in English, for my benefit) about wanting to eat their “tiny breads” (appetizers.) I am behind him, an actual homeless person. The man who chases us out wears a beige paisley suit worth more than any dwelling I might ever aspire to own.
Hi, I’m Viennese. I study architecture. My grandparents were Nazis, but I’m a vegan socialist. I climb mountains effortlessly, speak English fluently, and my university is paid for. Now you decide, who won the war?
For those too ill to eat:
Sobriety: an unreasonable choice.
Jägermeister: a solid choice.
Fernet Branca: a safer choice.
Averna with lemon: a poor choice.
Café Kreisky and vomiting discreetly into the bright red toilet, Café Bukowski with Charlie himself gazing out from all angles, daring me to do it again (but this time with gusto!) Hey ladies, I think perhaps we should take a cab home. No worries, I’ll pay for it! I’m fine, just going to the toilet. Just real quick.
Small red flecks in the water. Scheisse.
Only one night in the Wien ER (Wiener. Ha ha.) I have become an avid hospital tourist. Thricely stabbed before anyone can locate my artery, as usual, then the waiting room until I’ve been bleeding backwards into the empty IV bag for a while. I sleep in a chair because my friends have to sleep in chairs. We’re there from 1:30 to 5 AM. Stomach virus, Gastritis, the docs tell me. Non-fatal, in spite of the blood in your vomit. Take some carbon. Where shall we send your bill, Miss Worley?
A couple of shows: DOA, a handful of unknown Viennese punk bands at Venster99, Midnight Priest from Portugal way out at Erdberg, me jogging through the industrial district to catch the metro before midnight as I’m still too ill to crash on an addict’s living-room floor. Sometimes I still feel like a phoney — not dirty enough, certainly not a satisfactory alcoholic, sometimes I walk into vintage stores — sometimes I even buy jeans at H&M. Gasp, don’t tell the punks that. But look, I gotta buy pants somewhere and fitting this ass ain’t easy.
One failed departure from the city leading to a short campout at the Westbanhof station and a re-assesment of my mental capacities (Westbanhof is not Hauptbanhof, whether or not you speak German, you scheisskopf.) So back to the house I trudge, and as I am “well” it is high time for a drink — make that three beers — during a Quebecois film about two lovable virgins aspiring to bone each other in public places — 3x4cls of Jäger for 7.50€ (bargain) on the steps of the Volkstheater with Lia and her lipsticked Viennese friends — then one last café to top it all off, tucked under the Gurtel, blacked out on all that Jäger, a couple hours of Actually Dancing to an American swing playlist, and a trek home that I do not remember.
I catch a ride out of the city the next day with a sculpture artist and an atheist physicist Syrian refugee who’s into heavy metal. We listen to the Cypress Hill Black Sunday album on repeat.
That was my Vienna.